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The teamBric toBrack



Artistic manager of the Bric à Brac company since 2012, Bastien joined the Théâtre-Ecole d'Aquitaine in 2004. There he played and sang under the direction of Pierre Debauche, Robert Angebaud, Vincent Poirier, Stéphanie Risac._cc781905-5cde- 3194-bb3b-136bad5cf58d_
As a multidisciplinary musician, he has also composed and accompanied the music for several shows, notably that of "Peter Pan" (Pieryk Vanneuville, 2009), or even  "Les Miserables" (Pieryk Vanneuville, 2010).
He continues to work regularly as a musician and actor with the Pierre Debauche company.
In 2009, Francis Cabrel chose him as a theater teacher in his association "Music and culture" in Astaffort.
Since 2010 he has been working with the Compagnie de l'Escalier qui monte, setting up real-life simulations for students at the prison administration school (ENAP).
In 2013 he wrote, directed and acted in "Débordé(es)", a satire on stress and harassment in the world of work, for the company Travail et Facteur Humain.
Twice he will appear at the Avignon festival: first in 2013 in the creation of Pro'Jacteurs: “We want sailboats” then in 2015 with “Swing Heil” by the company La Margueritte.



After graduating from the Émile-Cohl school in Lyon, Marina Coudray joined the Ankama animation studio in 2009, where she trained in setting color (2D), concept art and chara-design for the animation.
Her taste for new experiences and discovery led her to become a freelancer in 2013, which allowed her to explore different universes and different media.
From illustration for editorials and for advertising campaigns (Boiron laboratories), to festival posters, through the concept of video games and sculpture, each experience enriches and nourishes the next.
She notably collaborates with Eric Travers and Groupe F on the design of pyrotechnic shows and light installations.

In 2016 she joined the Bric à Brac team for the design, construction and manipulation of puppets and live shows.
Nothing stops the creativity of Marina Coudray!

marinacoudray     /  _cc781905-5cde-3194 -bb3b-136bad5cf58d_   Portfolio       /      



After a degree in Performing Arts in Rennes, Serena met Cédric Gourmelon who offered her the chance to perform on stage for Premier Village, a play written by Vincent Guédon.
She then trained during internships led by Nadia Vonderheyden, Marie Payen or even the Lucioles company.

Serena joined the Théâtre Ecole d'Aquitaine in 2008 where she performed and sang in numerous shows. She notably performed the role of Eponine in Les Misérables (Pieryk Vanneuville, 2010), Eglé in La Dispute (Pieryk Vanneuville, 2010) and Lady Macbeth in Macbeth (Pierre Debauche, 2011). She directed and played her own musical show Le Cabaret du Crépuscule in 2011.
When she left, she collaborated with the TNA company on a performative dance show, Akt Memory, La Machine on the Flammes show, as well as with the Toulouse company Anomaliques and sang with the Geffray Gospel singers

She is currently playing a solo Je suis Putain, misce by Julien Foichat from the company Eux. She is also a project manager for La revue du Piano à Franges.


Passionate about the world of entertainment since always, Mylène took acting lessons and a few dance classes alongside her schooling.

In 2012, she joined the theater of the day in Agen, played and sang under the direction of Pierre Debauche, Françoise Danell, Robert Angebaud, Agnès François, Pieryk Vanneuville and thus multiplied stage experiences in order to be able to refine his preferences which are musicals and cabaret.

After three years of study, she left the theater of the day with her Performing Arts degree in theater in her pocket. Holder of the BAFA, she currently provides theater lessons for children and adolescents, and collaborates with several Agen theater companies, and participates in some filming in the region.

Simon Alteirac was born in Agen on November 3, 1994. Passionate about theater since childhood, he took his first steps in the profession by playing in several local amateur companies (''La Dame Blanche'' by Bon-Encontre, ''L' Escalier qui Monte'' d'Agen) before finally entering Pierre Debauche's Théâtre École d'Aquitaine for professional training and playing for three years at the Théâtre du Jour as an unpaid professional trainee.

Following this professionalization, Simon simultaneously integrates two troupes and two projects:

the ''Commissaires'' troupe from La Romieu (Gers) on the one hand, with the ''Tant Bien que Mal'' project under the direction of Matthieu Regnaut, a project financed by the Caisse d'Epargne as part of the Théâtre of Prevention supported by the Rectorate…

And the company ''Bric-à-Brac'' on the other hand, with the project ''The Doll and the Knight'' under the direction of Bastien Lecomte.



Marc-Anthony joined the Théâtre-Ecole d'Aquitaine in 2006. He plays and sings under the direction of Pierre Debauche, Robert Angebaud, Pierykvanneuville & Françoise Danell. Notably in "La Commune de Paris" (Robert Angebaud 2007), "La Vie Parisienne" (Robert Angebaud 2008), "Le Dindon" (Pieryk Vanneuville 2009), "Les Amants Puérils" (Pierre Debauche 2009). Passionate about music and singing, and especially about Offenbach, he participated in the artistic direction of the Gran'Gibus troupe and alternately took on the role of singer, dancer, co-director in "Les Deux Blind” and “Pomme d'Api”. In 2012 he joined the airwaves of radio Raje where he conducted cultural interviews before leaving for England to deepen his knowledge of the British language. On his return in 2015, he became fond of the company Bric à Brac to which he brings his support as an artist but also a journalist, in order to create the bridge between media currents and the performing arts.

He then plays in "Pour de Faux"   directed by Lorenzo Tedone of the Compagnie La Mauvaise Herbe

Metteur en scène


Valentin enters   at the Aquitaine School Theater in 2010 where he plays in “ Peter Pan ”,90 “5cc758d_1”, 90 “5cc758d_1 bb3b-136bad5cf58d_Les misérables »,  « Mac Beth », «_cc781905-5cde-3194 -bb3b-136bad5cf58d_Le timide au Palais », « L'Opéra Canaille », « Penthésilée_cc781905 -5cde-3194-bb3b-136bad5cf58d_”, “ Of mice and men, “ King Lear_cc781905-5cde-3194-bb35b58d_bad” other creations by members of the Pierre Debauche school.

He then entered  at the Toulouse Theater Conservatory where he studied under the direction of Pascal Papini  for two years.

  He became an associate artist of the Agit Théâtre in 2015 for the creation of the young publishes " L.aime.L_cc781905-5cde-3194-bb3b-136bad5'cf58d_" by Ines Fehner. Then associate artist also of the Cie Vis Comica in " Petit boulot pour vieux clown " in 2016 directed by Fred Waller

It should be noted that he was also assistant director on  « Electre » in 2012 at the Théâtre du Jour,"  Dialogue of a dog with his master on the need to bite his friends " in 2013 with the Troupe Michel Populaire. « Le Horla » en 2016, avec la Compagnie Vis Comica et « Pour de Faux » with the company La Mauvaise Herbe in 2017.

In 2017 he joined Cie Bric à Brac as part of theater activities in partnership with the local mission of Agen.


After a degree in Plastic Arts, Alice Oudet entered the Théâtre École d'Aquitaine, directed by Pierre Debauche. She notably plays the countess in "La Fausse Followinge" by Marivaux or even Madame Pinchard in "Le Dindon" by Feydeau. Since her release, she has toured in medieval with the collective Thyase and Les Mortes Payes (Bayeux, Nantes, Vannes, Bouliac, Cidre et Dragons, Briançon)

  Since 2007, she has been making costumes for many plays such as “Les Misérables ”, “ ac50-deCyrano Berger bb3b-136bad5cf58d_», « Peter Pan », « Angelo tyran de Padoue », «  Monsieur Chasse ».

Versatile, she sometimes wears the hat of actress, author, director, costume designer, make-up artist and stage manager. Curious about new horizons, she took courses in fencing, puppet manipulation, commedia dell'arte and clowning.       / _cc781905-5cde- 3194-bb3b-136bad5cf58d_  


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